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Patricia A. Banks traverses the New York and Atlanta art worlds to uncover how black identities are cultivated through black art patronage. Drawing on over 100 in-depth interviews, observations at arts events, and photographs of art displayed in homes, Banks elaborates a racial identity theory of consumption that highlights how upper-middle class blacks forge black identities for themselves and their children through the consumption of black visual art. She not only challenges common assumptions about elite cultural participation, but also contributes to the heated debate about the signific

African Americans --- African American art --- Art and race. --- Art and the middle class. --- Ethnicity in art. --- Afro-American art --- Art, African American --- Negro art --- Ethnic art --- Negritude --- Middle class and art --- Middle class --- Race and art --- Ethnopsychology --- Race identity. --- Social aspects. --- Ethnic identity

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Art --- Art and the middle class --- Art, Korean --- K9808.50 --- K9024 --- K9384 --- Korean art --- Middle class and art --- Middle class --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Collectors and collecting&delete& --- History --- Themes, motives --- Historiography --- Korea: Art and antiquities -- history -- Chosŏn period (1392-1910) --- Korea: Information science and management -- museology --- Korea: Hobbies and pastime --art and literary appreciation --- Collectors and collecting --- History. --- Themes, motives. --- Historiography. --- Art and the middle class. --- Art collectors --- Collectors and collecting. --- Korea. --- Art, Primitive --- Chōsen --- Chōsen Sōtokufu --- Chosŏn --- Chosŏn Chʻongdokpu --- Chosun --- Corea --- Corée --- Daikan Teikoku --- Government-General of Chosen